The best furniture looks as though the room was built around it.
So the work begins with the room: its proportions, the fall of light across a day, the way the people in it actually live. Only then does the piece take shape, from what it must do to the timber that suits it and the way it should meet the floor and the wall. Every commission is drawn once, for one place.
The studio is in Kent, and most of its timber grows within a short drive of the bench. What remains after a commission becomes the smaller pieces in the shop.